Wednesday, 28 January 2015

bokeh & pringles

Have lost the use of the 2 letters that go between the m & v so will keep chat short until fixed cuz copy & paste is a pita lol.


Irl there are very subtle circles of pale white ink. Woodware teasel stamp, Rubber necker sentiment. Picked Raspberry & Peacock feathers distress ink & 3 glitter dots.

















 Sample made for the next playday, altered Pringles tin to hold my specs. Very old Kay & Co papers with a purple grey wash and some technique tuesday flourish stamps in white color box ink, flowers, memory box diecuts and lace. needs some better elastic and bigger beads for feet but will do me for now.


Sunday, 25 January 2015

#Artchain

I'm currently taking part in a facebook game called #artchain.  The object is to share 5 pieces of art you've made over 5 days and nominate someone else to join in the fun on each day.  Instead of posting pics of newer cards I've made I decided to have a look back on a few of the cards I've made over the last 20 years.  Been great fun and quite interesting to see that there is a core style that has remained right through the journey even though I've made some real turkeys lol.  Has also been some sadness when I noticed my original site is no longer available and thanks to that and using many different pcs over that time I've lost hundreds of very early pics.  Not to worry though, most were pretty crap lol.

Here are a few that I have still got pics of and on the side bar there are 2 slideshows of cards I made while making samples for Art Of Craft. 





 This is the 2nd card I ever made and I can really look back and cringe.  The only tools I had was a single needle tool, a small piece of grid, an embossing tool and that awful horsehair looking bit of mat that came with the pergamano starter set.










This one and the next are dry embossing and hand cutwork.  I got a lot more satisfaction from making these than I ever have using a die to cut the patterns.  I really miss the challenge of handcutting new stencils.














The decoupage on this one was straight irl, the only photo I could find was at an angle to show the layers.  Have put a perspective correction on the pic which is why it's showing each layer as being a bit off.













A slightly later parchment card, I never did get on with colour on parchment but I used to love doing this style of gridwork.

A very very early parch card made when my niece was going through chemo for AML.
 This is the very first christmas card I ever made and I had to make a dozen or so.  Not fun with all that stippling.

A very early teabag folding card inspired by the lady who held my online hand as she first encouraged me to try other papercrafts, the lovely Janet Wilson then asked me to demonstrate with her.


I think this one might be on the side slideshow, another hand embossed and cut card using a brass stencil.  This one also has paper embroidery and 3d decoupage.

Thursday, 22 January 2015

That sinking feeling..

It's my grandsons first birthday today and as per usual I was being lastminutedotcom... Ade shouted up the stairs last night.. "have you got a card for Nate?"  this then led to me shouting down "what do you think I'm bloody doing"  I wasn't lol, I was playing with the red & orange card from the last post.  I'd only got as far as adding the ink so quick switch over to another sheet of white card, cover with faded jeans, salty ocean & stormy sky ink.  Try out the stencil I'd just cut.. add the brilliance white ink circles.. was pretty chuffed with this one.. really looked good.   Find a bday sentiment.. check.. stamp on the bottom in black archival... oops, that'll teach me for shoving a clean glass mat onto the larger one I'd been working on with the inks.  Only have a stamped impression because the card had been hanging over the edge.  Too late to do another one so I'll think about how to hide it later lol. 

Now for that sinking feeling when I trawled through my stamps looking for something suitable for a toddler.. not a bloomin thing.. 8pm at night and no chance of getting to a craft shop.  Only thing for it was to grab a Tilda Goblin I bought a few years ago and quick watercolour pencil jobbie.  Not really a toddler stamp but I haven't ever had to make a card for a small kiddie let alone this young.  Next job was to think how to add the image and cover up the half sentiment.  Scal to the rescue, a number 1 with a footing large enough to cover lol.  Inked in faded jeans and dotted with the ink straight from the dauber I'd used earlier.  Next problem was how to arrange things, yikes, 2 large things, nothing to do but just side by side and I had to doodle his name because I don't possess an alphabet stamp set.  I do really but it's still in the loft in a box from the last house move... 11 years ago lol.  Crappest card I think I've ever made but he won't know or care and it'll be in the bin in a few days lol.  On the upside tho the bokeh background on this one was nicer than the other ;o)



Bokeh backgrounds

I'll admit to succumbing to the latest fad trend in papercrafting... bokeh backgrounds.  If you want a proper explanation you'll have to google but basically it's a photography term and involves sort of balls/halos of light.  There are several how to's on the net, Eileen Godwin has a nice one this week and there are a few on youtube. 


For this one I challenged myself to use colours I really don't like (as you might have guessed if you're a reg I like cool tones of blues & purples as a rule) so went with barn door, honey & mahogany distress inks blended over some white card before doing the old splatter some water over trick.  Once dry I sponged through my own stencil (nowt but some acetate I'd had a go at with a very old ctmh circle cutting system but stencil sounds posher lol) with Brilliance white pigment ink then left to dry before stamping with an IndigoBlu stamp set, Wild Meadow with black archival ink.  Now I have to say in real life the circles are a lot more subtle but brilliance is a slightly pearlescent ink and the camera is picking up the shine quite heavily.  As often happens when using a white ink/stain/gesso the coloured ink seems to sink below the white pigment. 

With the benefit of hindsight I wouldn't have used the dandelion stamp because the white pigment has caused it to lose the delicate detail. I don't know that I would use this white ink on a warm toned background again either, maybe PTIs cream or maybe keep the stencil in place and go over the white with a pale lemon or orange.  btw I found the SU white ink to be pretty useless over distress inks and now have some orange ink sat on the top of the pad where it transferred.  Can't say as I'm hugely happy with this card but my blog would be even lighter than it is now if I only added the cards I was truly happy with lol.

I'm going to enter this one into this months IndigoBlu challenge which is to use a Touch of Red.

Tuesday, 20 January 2015

Freebie feather die & stamp

On the cover of one of the UK craft mags this month is a free feather die from HOTP, and on a sister mag is a matching stencil & set of stamps.  Not often I buy mags these days, freebies are generally of a poor quality but thought this was one of those dies that might one day come in handy, and at a fiver for the mag it wasn't a bad price for it.  Only bought the stamps (with the mag) after a friend said they actually stamped quite well and I have to admit they are surprisingly a better quality than some of the clear stamps I've bought in the past let alone the jelly like monstrosities that normally get given as a cover gift.

Very very quick card to make if you've kept offcuts when you've been playing with brushos.  The offcut I used was literally a strip leftover from cutting a4 into a not quite 6*6 cards (I've got loads of these) of semi gloss white card which I'd marbled with brushos at the Dec playday and left in the (huge) pile of ready to do something withs.  Not sure what colours I used but it really was just a dollop that had been missed by the rim of the dish, on a ruler and wiggled along the card.  Once diecut, I stamped using 2nd gen archival ink and gave a quick blast with the heatgun.  Background was just a very small sprinkle of lemon, violet & turquoise brushos, gently blown so they spread around the card and thinned out even more.  Misted with water, then puffed about with one of those spritzers designed for felt tips.  Once dry I stamped a heartfelt creations sentiment in black archival, matted on to navy pearl card and onto a white 8*8 card blank from Joanna Sheen that I've had a pack of for about 4 years and only used a couple.  Not sure why I've started making 8*8 cards but hey ho lol.   I curled the feathers slightly and stuck down with a few blobs of gel glue to keep the curl.  When I said very, very quick to make I'm talking maybe 10 mins tops if you have a pile of backgrounds ready to go and other than drying time not that much longer if you start with just white card.

Going to enter this into the following challenges.

Diecut Divas, anything goes. 
Happy Little Stampers, CAS with watercolouring
Natalie and Amy, All Things New
Crafty Cardmakers, old & new. 
Flonzcraft, new year new stash,

Wednesday, 14 January 2015

playday projects

Just a quickie before I forget to post it.  One of the projects we're making at the Feb playday is an altered notebook which involved cutting a recessed panel into the cover.  I didn't have any notebooks here so I cheated and made a cover for a pad of postitnotes ;o)   It's only 3" square so all of my flower dies were out of the question, this is using donkeys years old punches.. not great when you're using 350gsm cardstock but as some of my friends know I hate mixing whites when I'm doing white on white.  Swiss dots embossing folder, one of the small flourishes from Heartfelt Creations Arianna lace dies. Sizzlet alpha die, some white mesh, stardust stickles & a few gems.  Dead quick, dead easy and hopefully a project the ladies will enjoy.

Candy box crafts 4 drawer mdf box

 Back in November I bought an mdf kit to make a 4 drawer unit to store my brushos in at the Oysterstamps retreat.  Taken me a while to get everything this far and there's a lot more I want to do.

I started by painting all the pieces with a teal acrylic paint from docrafts. When dry I assembled the box & drawers using plain pva glue.  Putting the back piece on last was fun.. not and required the use of a soft tap with a hammer.  Next one I do I'll add one of the sides last and paint once assembled.  To help hide the joins I used some inca gold in the same shade as the paint, it's reacting with the camera flash but irl it just adds a nice shine & depth.

The panels were all made away from the box & stuck on last.  I started by blending tumbled glass and evergreen distress ink on to white card.  I then stamped various patterns from a sea themed set of stamps from Designs by Ryn in the same colours, some were first gen ink some 2nd in the same 2 colours.  Next was the bubbles using black archival and highlighted with white calligraphy ink.  The mermaid is from Chocolate Baroque and like the images coming on the next 2 pics was stamped with archival on to hot pressed watercolour paper, coloured with distress & stampinup markers and blended with a damp brush before being cutout with a scalple. The pics don't show it but I've also used a wink of stella brush to add subtle sparkle to the mermaids tail and very tiny touches of the inkagold mixed with water..  I'd already attached the piece to the box when I decided I wanted some fronds hanging down.. dumb idea because I dropped the stamp and have a patch that needs covering..  a small fish stamp will do,just need to find one that's pretty enough now.    Mistake number 2 was thinking hotglueing real seashells to the bottom corner was a good idea.. I don't like them now they're done so when I get round to it I'll carefully pick them off and hot glue some fronds of sand to cover any damage.


 The 2 fish are from the same set of Design by Ryn stamps as the curly pattern.  I've used a seaweed stamp in the corners and some shells from chocolate baroque in a pale brown distress ink at the bottom.














The top had to stay quite flat because I often stack things in the playroom.. comes of having next to no space against the wall left and having so many things I "need" to have at arms reach at all times.

More stamps from Ryn, combined with some treasure urns from the mermaid Chocolate Baroque set.

And one finished for the moment chest.  I've hot glued real shells as handles but other than that I've not decorated the panels yet.  I havent decided what I need the drawers to hold most yet, my brushos are sitting in their a5 boxes lovely and I like how the pots can't fall over in them.    I was half tempted to store my essential inkpads in them, each drawer fits 6 old style archival inkpads with ease but the new style are a bit fatter which makes 3 high a bit too snug.  Maybe I'll put my most used embossing powders in them, maybe not lol.  Once I have decided I'll decorate the fronts of the drawers more appropriately and post again.

Friday, 21 November 2014

IndigoBlu Challenge Blog Let It Snow

I was dead chuffed last month to find that random org had chosen me as the winner of the sketch challenge at IndigoBlu Challenge Blog.  As well as winning my choice of 2 large stamp plates I was asked if I would like to submit a card for their next challenge, which is Let It Snow.

Bit of a challenge as I don't own many IndigoBlu stamps (yet) and I didn't have any to really get into a scene building theme so I had a play around with Frosted Baubles and Seasons Greetings.
I've used the sentiment set loads of times as it fits in with contemporary and vintage themes but had yet to ink up Frosted Baubles.

I started with a 5 1/2inch square of white cardstock and stamped Frosted Baubles in the corner using versamark then heat embossed some WOW clear holographic embossing powder.  I then used stormy sky, faded jeans and dusty concord distress inks to build up a dark layer of blended ink before gently buffing some paper towel over the embossed area to bring back the white pattern, which thanks to the EP  has a pale purple tone when caught in the light.  To add a snowy look I gently misted with water from a spray bottle and left to dry.  My spray bottle gave quite a fine mist which softened the background rather than gave a full on snowy effect so I dabbed some silver adirondack dauber onto my craft mat before adding a drop of water, mixing with a fine paintbrush then tapping the paintbrush mid air over the card to give a splatter effect.

While the silver paint was drying I used the same clear holographic embossing powder to stamp & heat emboss a sentiment from Seasons Greetings on to an offcut of the white card before diecutting with a Spellbinders circle die.  This was inked with primarily stormy sky before the edges were inked with dusty concord to add just a hint of a faux layer before being buffed with paper towel.

Once dry the card was trimmed slightly to hide that it wasn't stamped at perfect right angles in the corner before being matted on some silver holographic mirri card.  I added a piece of stampinup ribbon and mounted both layers on to a white not quite 6*6 card.   I then diecut a slightly larger spellbinder circle die using offcuts from the mirri and matted the sentiment with foam pads. To finish off I added a few purple pearls to the sentiment panel and to the top corner.
 


Friday, 7 November 2014

Brusho mop ups meets Jofy

Been a week for birthday cards, it was one of my BFFs birthday yesterday and I made this one for her.

Nowt really but a lot of white card!  Started off stamping and masking the scene using archival ink and white cardstock before hitting it with various blue & purple distress inks to give a graduated sky, and a teeny bit of green along the base.  Once I was happy with the ink blend I matted and layered onto some silver holographic mirri and a white a5 card base and left to one side.  Using various pieces of brusho mop up card, a piece of the brusho marbled from a couple of months ago and some fresh sprinkle and sprayed pieces I went about stamping and fussy cutting each and every single bit of the flowers before tipping the edges with a complimentary felt tip marker.  Once I was happy with the pieces they were carefully stuck in to place and some were subtly glittered and sparkled with a clear wink of stella brush pen and the Happy is glossy accented.  I was quite chuffed with the finished card & Tracy seemed to like it, didn't tell her it was brushos cuz she's not that stuck on em lol.   For something that to an untrained eye it looks deceptively simple but in reality took ages with all that fussy cutting.



That'll teach her

My mate Martine has got a great sense of humour so when she posted on facebook that she didn't like card in a box/pop up box cards I had to post a reply saying that she ought to know better than to say that otherwise folk will be making the for her for her birthday.  Well I couldn't resist making one for her, originally I was going to make 13 of them and have them all attached to a long strip and spelling Happy Birthday but one of my BFFs Tracy made card in a box card using stuck together pieces of 12*12 and had whopping butterflies coming out in shades of pinks & reds and that gave me an idea.  Martines not a pink type lady, she's rather partial to a teeny (haha) bit of bling and I always make her white on white cards so set about making her a card in the box to end them all.  I didn't have enough 12* 12 sheets in a strong enough white card so I went with A4 pieces, 4 scored at 1cm for the glue flap and 2cms from the top so I could attach the fold over pieces. Once the base was made I ran some more white card through an a4 crafts too embossing folder and matted on to some silver holographic mirri.  The trellis pattern I used has an obvious place for gems but 12 not quite full a4 sheets would have meant nearly 300 gems and I didn't have enough all of the same size in clear so went with cosmic shimmer silver pearl glue and made faux pearls.

Once dry everything was assembled using tons of glue & double sided tape.  I then used a mixture of metal dies and my cricut with scal to cut plenty of white butterflies & mirri backs and added glitter to nearly all of them, either as beads or totally coating the white card. 

Some of these butterflies are 7" wide and as Tracy said acetate couldnt handle the weight so I used acetate strips and silver tinted kebab sticks to hold them upright and in place, stuck to the divider strips with a combination of glossy acccents & hot glue.

The front drop down was kept reasonably plain, simple happy birthday cut with scal and edged with glitter.  A couple of Cheery Lynn flourish diecuts & a couple of memory box gypsophelia diecuts plus a whacking great bow with a cover yourself button covered in glossy accents and glitter.  Ordinarily I'd have cleared a space and taken a tidy photo but hubby got there first with his phone and it's been placed on a hougie to show the size of it,and that's my phone.. admittedly it's not a large phone but does give a sense of scale.

Happy Birthday Martine xx






Monday, 13 October 2014

Playday yesterday

We had our monthly playday yesterday and the theme was Tim Holtz Luminarys.  I only decided on this one because Kelly said she had the die and hadn't used it... so she was supposed to be in charge of the "class".  Kelly was a bad girl and didn't make any samples. didn't even have a go to tell us what we needed to bring!!  Thankfully Sandra also had the die and sent it up with Kay..Kay made a couple of samples and warned us all it was a fiddly bugger to make up!

 Normally I've made so many of whatever we're doing as samples that I sit and chat at playday instead of crafting.  Seeing as I've never used the die I decided I'd join in and make the days project...

Bit of a nightmare to photo.. it's wet, grey and windy in Bristol and if I turned on the daylight lamps it made the colours look bright and shiny.  irl colour are sort of in between both pics, a bit of a rusty aubergine colour with splashes of dirty orange & purple lol.

I started with very strong kraft card and dipped it into splodges of concord and persimon distress paint that had been sprinkled with black brusho.   Once dry I added black soot distress ink and stamped one of Dyan Reavelys web stamps in black archival.  The center panels are black vellum with one of Dyans spider stamps.  A few plastic spiders attached to the lid with hot glue and I used the tip of the glue gun to pull lots of strands of glue to make cobweb threads.

I'll probably make a few more of these because I found them very quick and easy to make.. even taking into account that I chatted until 11ish then had to cut pieces for a couple of friends.. mix the paint, clear up the spill from not having one of the daubers tightened properly, wait for the paint to dry enough to use the glue, assemble and decorate I was still finished by lunchtime! 

Top tips for making them again though..

thin card is easier to fold & glue
and if you do add paint to the card before assembling make sure it's totally 100% bone dry.. card holds moisture you can't see even when it's touch dry and it makes gluing a problem!

I could go mad entering it into dozens of challenges seeing as Halloween is a hugely popular theme this month (I wonder why lol) but I've chosen just 2.

cutitup challenge blog, Halloween and anything but a card.  Rules say not to forget to use a diecut.. hope this counts because it's nowt but diecuts lol.

and the StampingBoutique Challenge Blog which has a theme of outside the box.

Wednesday, 8 October 2014

Frugal Poppys

If you've read the last post you'll know I went all tight fisted and used the "ink" I'd picked up from stamping into wet brushos on some scrap white card.


The ink that clung to the clean stamp from this image.

 Became this image.

I was also tight fisted and used the black archival left on the stamp after stamping the stem on the last card.  Not bad eh, 2 cards from the same lot of ink and if I'm totally honest most of the orangey card was what I'd gutted from the previous card as well. 





Definitely another way of stamping that needs a minimalist look but seeing as I'd stamped on a strip of card I'd left from cutting a4 into 5" squares there wasnt much to do other than use a layout.  This one is from sketch & stash blog.  Apart from the stamped image there's not much to the card, some ribbon & buttons I've had lying around for yonks and a sentiment from an old docraft set.







Are you bored of brushos and that poppy stamp yet?

I don't know about anyone else but I'm a huge lover of pinterest when my mojo has deserted me and when I've got a new product.  First thing I did when I got home with the brushos was search pinterest to see what was being done with them and to be honest there wasn't much card making wise so a lot of what I've been doing has been trial and error.  One of the things I will admit to being disappointed with what I did find on pinterest was how some of the stamped cards sort of "lost" the image in amongst a heavy fireburst of colour and when I went to the Taunton show I was determined to buy the "right" sort of stamp that would show up against them.  That wasn't actually as easy as I thought, those with big bold lines aren't really the sort of stamp I like and I won't buy stamps I don't actually like no matter how much a certain technique might "need" them.  Ade doesnt even know I have a blog let alone read it so safe to admit to buying stamps I fall in love with even when I know I'll probably never have a reason to use them (going to be years before Nate is old enough for me to use some pirate stamps I bought and I bought them 3 years before he was born lol).  Anyway to cut a long story short while I was pondering the issue I wondered what would happen if I stamped into misted brushos.. not on a damp wet wipe or sprinkled over a Dylusions pad but straight on the card.. I know that the brushos can be used as an ink or direct to rubber so isn't this the same thing?

One experiment later... and here it is.


There's absolutely no other colour to the poppy than dark brown sprinkled very lightly over the rough area where I knew I was going to position the petals.  I very lightly misted around where I thought the background needed to be but slightly heavier in the middle where the petals would go.  Pressed the clean dry stamp onto the misted ink and held it in place for a couple of seconds.  Being an occasionally  tight fisted frugal crafter I then stamped the petals on to some scrap white card.. not because I thought I'd get a great impression but just to not waste the ink, more of this coming in the next post tho (or is it the previous post seeing as newest posts go in front of older ones).  Anyway going back to this card, once dry I added the black archival stem & detail part of the stamp.  Trimmed the card to size and added a peach parfait border.  Now initially this card was going to be for someone who doesnt like multi layered  or clean and simple so I spent yonks cutting and piecing a frilly border to go around it.  It looked bloody awful and the sort of thing a kid would make given a naff set of cut & stick stuff from 20 year old TSVs.  These stamps don't need frilly borders, a simple mat & layer is all they want really.  That said I did decide that I was a bit fed up with cas and went with a layout from sketch saturday blog.  Background papers are white card stamped on using dark brown brushos on a damp babywipe using a kaisercraft brick and a bubble strip I won years ago.  I deliberately went with a light coverage.  I should have trusted my original instinct and went with cas lol

Sunday, 5 October 2014

Drippy Poppys

2 in one day, guess who was enjoying using the spritzer to blow paint around lol.

Dark brown and one of the red brushos sprinkled onto white card before being misted with water then blown around with the spritzer.  2 step Rubbernecker poppy stamp, main part stamped with bleach and allowed to dry for an hour.  Over stamped then with black archival.  I didn't quite get the black archival in the right place so I used bleach in a water brush to remove the bits I'd now missed.  Once dry I scuffed the edges of the card and went over with old paper distress ink to take away the whiteness of the card then because it looked a bit too flat I used a kaisercraft crackle stamp with first water then old paper distress ink and randomly went in patches around the image.  Mounted on brown pearl card which has been scuffed then small amounts of inca gold along the scuff.

Freehand Brusho Christmas Tree

On Pinterest there's a pin of what the lady calls Triad trees that fascinated me but after having a play I sound found it isn't easy to do on small scale, well either that or I can't tap the brush in the right way lol.  But it got me thinking about brushos and trees and could it be done freehand and this is my version of it.

Stupidly easy to do but I think I should have practised before going gung ho on decent card stock because I'm not happy about the blob on one branch on the right.

Very lightly sprinkle emerald green & one of the red brusho crystals in a smallish triangle, mine was about 4cms high and about 2cms wide at the base.  Super super light sprinkle because you want to keep lots of white card showing.  Quick light mist with water then using either the tim holtz or perfect layers airbrush spritzer thingy (links to both so you can see what I'm going on about) hold about an inch or 2 above the card, aim away from the centre of the tree and towards a bottom corner and squeeze the bulb part to make air come out. Keep moving and blowing air until you have a rough looking tree. Using a fine watercolour brush paint and dark brown (mixed with water) paint in any gaps where the trunk would be and a small patch underneath for the ground.  Dead simple, dead quick to do, took me longer to find the spritzer thingy than it did to make the card lol.

On a slightly different note I mentioned an easel I'd tarted up last post, finally managed to get a pic of it.  Seeing as I photoed the Christmas Tree card on it I thought I'd add it here.  Learnt a few lessons in doing it.. the pva crackle technique only works on smooth surfaces and at £2.99 including a canvas you can be sure that this one is made of cheap unfinished pine and it was in desperate need of a good sand down.. which I didnt do.. hence the next to no crackle.



Painted first with orange & copper paint.  Covered with pva and cream emulsion paint.  Stamped all over with a group of small ivy leaves stamp.  Coloured with various distress stains.  Sanded back in places and inca gold cream paint added to some of the edges.  Looks fab holding an 8*8 card or large canvas, not so great with a not quite 6*6 card.


Tuesday, 30 September 2014

Panic stations and an all nighter

On Friday I went to the Range with my mate Tracy.. it was her wanting to go not me and I very kindly offered to take her!!  She ended up spending next to nothing.. I came home with a new kitchen bin, craft paint, a new paint brush and a (silly cheap) a4ish canvas and easel.  I knew exactly what I wanted to do with the canvas and easel and set about aging the easel, texture pasting & gessoing the canvas.. then it all went wrong.. after making a lovely background with distress stains in browns & greens I went to add pumice stone over an area I intended stamping a statue (I was going for old lost garden theme) and to my horror I found that the stain had turned TURQUOISE!!  Ruined, wrecked and calamity springs to mind!  No amount of gesso would cover the turquoise and no other ink would hide it either, couldn't use acrylic paint because I needed it to be able to take ink and didn't want to lose the texture of the canvas :o(  In the bin it's gone.  Shame, I'd spent ages blending colours and adding texture, I'd even stamped and painted the image on tissue ready to wax in place.  Easel looks good though and I'm sure I'll find it handy for photoing cards on.

One hectic Sat & Sunday later and I have to start a new project.. wasn't going near canvas again so I decided to alter an ikea tolsby frame and turn it into an advent calendar.

Butterscotch, latte & terracota alchie inks on some felt, followed by gold with blending solution soon had the glaring white frame looking like 1950s bakalite!  


Next came 12 tags, 3 1/4" by 5".  All using distress inks as background on both sides (there's a lesson in how you have to keep the mat clean).  The project had to be done and in the post by this am so I ended up pulling an all nighter and eventually finished at about 4am.  Hubby not impressed lol.  Ideally I'd have spent a good couple of weeks making multilayered tags with lots of texture but 24 tags in one day means I had to sacrifice something so I went with simple stamped images, occasionally embossing, stamping with glue & foiling, glitter, paint & gems.  Sounds like I went to town but divided by 24 it meant most tags were like this one, nowt fancy bar a few pearls added to the image.





This one had a bit more work involved.  StampinUps lovely as a tree stamped in black archival then versamark before being embossed with white ep.  I used TH white marker to extend the ground and SU white ink to emboss lots of snow flakes.  The numbers are all diecut using a very old Spellbinders font set.  

With the benefit of hindsight I wouldn't have used terracotta on the frame because it clashes most evilly with some of the tags, specially the cool toned purple & blues and there would have been more thought into the tags but over all I was reasonably happy with how it turned out.  Next time I think I'll turn the frame into a recipe holder... just got to find some decent cookery themed stamps to make it with ;o)





Wednesday, 24 September 2014

remember those mop up pieces?

Back a few weeks I was playing around with distress paint & brushos and rather than waste paint I always dab offcuts of white card in it and leave to one side for diecutting.

I finally got round to using a few pieces yesterday and this is the result.



Flowers are cut from the mop up pieces using Arianna stamps & dies from Heartfelt Creations.  Leaves are from Cheery Lynn.

I wanted the background to match with the flowers but not be overpowering so I used pea sized blobs of pearlescent tinting medium and mixed in, vermillion, cobalt blue and purple before being dabbed seperately over white card using a ball of clingfilm. 

Sentiment is from Heartfelt Creations and is one of my favourites.  I don't use it that often because it's a whopper.. this is an 8*8 card.




These are a nearer to the real life colour of the flowers, they remind me very much of Love Heart sweets.








I'm going to enter these challenges

Cuttlebug Mania..  Anything diecut

Deep Ocean Challenge blog use at least one flower

Craft-DeeBowZ anything goes with a handmade bow

Stamps & Fun = Creativity handmade background



Tuesday, 23 September 2014

rubbernecker Flowers in the Breeze

Quick post because to be totally honest this stamp does all the work.. there was NO shading to be done at all... the texture of the stamp does it all for you!!  Ade was so impressed with the shading he didn't think I'd made this one.. back handed compliment or what lol.

Calypso coral ink for the flowers,
pumpkin pie for the few dots that are amongst the grass
Old olive for the grass & stems
black versafine for the verse
and it's on calypso coral & white card.


Under The Sea

Get me, yet another new stamp set used.. and only 8 days after buying it!!  (Don't mention the stencils lol)

This is from IndigoBlu Under The Sea and using my beloved Brushos.  The black background has bubble stamp from the set using flitterglu and winter dawn flakes.  Sparkler from Kaisercraft and some lime green organza.  The layout is from IndigoBlu's challenge blog

It wouldn't win any technical merit points, not a good idea to start using new stamps very late at night when you're knackered and haven't stamped them on scrap.  There's faults on each layer where I've managed to catch the edges of the rubber with the ink.  That's not something I do very often so I must have been more tired than I thought.

Starting from the top, I stamped the fish in black versafine, masked it and added the swirly fronds.  The background was given a pale wash with cobalt blue mixed with emerald green before colouring the fish with the same blue and purple.  Once dry I added clear wink of stella over the top.  The frondy part is loosely coloured with emerald & not quite mixed with water olive green.

Once it had all dried the sea looked a bit too even so I went back into the wash and added more layers but patchily so there was some texture.




This is the layer underneath, very little shows so I thought I'd take a seperate pic,  damp water colour paper, sprinkled with stripes of turquoise, ultramarine, emerald and olive green, sprayed quite heavily and lifted at the top so the colours blended in to each other before being sprinkled with rock salt and allowed to dry.  Stamped with the bubbles that I also used on the black background.



Thursday, 18 September 2014

rubbernecker poppy

I was playing with the rubbernecker Poppy stamp day before yesterday and it's not quite as it seems.. it looks to be a solid silhouette on the petal part but it's not there's a very fine texture so I thought today I'd see how it inked up with different mediums.

This is a close up of using 2 red distress paints on a craftmat, squidged about a bit then stamped into.  



With the benefit of hindsight I'd have used the paint rather than SU real red inkpad on this brusho marbled background.  Bit gutted because I left all the pieces I marbled on the demo table at Taunton last Sunday.  If I try to zoom in on the texture the camera thinks it's a blur but in reality it's a very fine woven material texture which lessons the impact of a stamp pad ink.










Epic fail, and one that will teach me not to look at my pc screen when I have stamp in hand just because I've had a fb message ping.  Not thinking went on and stamped the sentiment upside down lol.  this was using 3 red Tombow type markers and huffing on the stamp.  Again I had the textured weave but was able to use a damp brush and blend the texture away. 

I think the general guide with this stamp is if you want a more even coverage you have to have the stamp wetter than before, either with paint or with misting.  If you want impressionist style, be a bit more heavy handed with the mist/paint.